Aedin Moloney reading “Molly” from Joyce’s Ulysses, today, “Bloomsday Sunday” at the Ulysses Folk House, 2pm. 95 Pearl Street, NYC.
George Heslin presents Stop The Tempo today, Sunday, at 4pm and 7pm, Tuesday at 7pm. Arlene’s Grocery 95 Stanton Street, NYC. For tickets click here. Use the AWoW code AWW18 for a $7 discount.
Ethiopian Street Children’s Benefit. Join Artists Without Walls and the HOpe Charity for an evening of cocktails, entertainment and philanthropy. Entertainment by Niamh Hyland, Honor Finnegan and Koro Koroye. Events begin at 6pm at Fitzpatrick’s Grand Central Hotel, 141 E. 44th St., NYC. Click here for ticket information
Tara O’Grady performing at Swing 46 Jazz and Supper Club, Wed. 8:30pm. 349 W. 46th St. For reservations click here
“A muggy summer evening on Ludlow Street, a packed house, and a serving of artistic delights–what you get when you mix AWoW with the Lower East Side.” said Jim Rodgers, as the crowd from the Living Room spilled onto the street.
Billy Barrett
Sarah Fearon kicked off the successful evening of performers with a funny set of stand up. She offered her theories, with a twist, on the subjects of the economy, yoga, being a people person, optimism, hoarders, why she can’t read the newspaper, and why she will be shopping for a “smart clone.”
As the crowd filled to standing room only, the cocky slink of Curtis Mayfield’s Superfly rumbled through the crowd. It was Billy Barrett time. Highway Star’s his anthem and he loves to sing it. Last night he tracked the bloated stretch of an LA Superfly. “Coulda killed him, didn’t…” so now in the May swelter of a New York City nightclub, we can all have a good laugh about it.
Tara O’Grady, Niamh Hyland, Tami Lynn, Sasha Papernik and Jack O’Connell
Singers/songwriters Tara O’Grady and Sasha Papernik collaborated on vocals and piano. These songbirds have modernized the music of their cultures and given them new life. Sasha joined Tara in beautiful harmony on a soulful version of “The Water is Wide,” from Tara’s first album Black Irish. Pianist Sasha, whose parents were born in Moscow, Russia, then treated the audience to a song from the famous Russian cartoon, “Cheburashka.” You can hear Sasha live with her ensemble at Cornelia Street Cafe on July 8th at 8:30pm and Tara with her full band at Swing 46 Jazz & Supper Club on June 19.
Koro Koroye
Three unscheduled guests added spice to the event: Karyn Oliver–part Joan Osborne, a touch of Janis Joplin and a bit of EmmyLou Harris – effortlessly oscillated from bluesy to country with two songs, “Candy Dish” and “Right Now.” Her musical inspiration comes primarily from the eclectic mix of music to which she was exposed while growing up in the musically diverse culture of Washington. Tami Lynn, who scored a big hit in the seventies with the song “I’m Gonna Run Away From You,” sang a soulful, “Smile,” while AWoW favorite and spoken word artist Koro Koroye performed two of her poems, “Michele” and “What’s In A Name.”
Awow co-founder and Irish born singer/songwriter Niamh Hyland, beat-boxer Anand Gan and guitarist Art Lamonica followed. Demonstrating her versatility and wide range, Niamh sang the blues, stylizing two tunes with smoky overtones and emotional punch. The songs “When the Moon Hangs Low” and “Ray Anne” were co-written by Niamh, Anand and Arthur.
Silbin Sandovar
Singer/songwriter Silbin Sandovar performed “Loving In The Worst Way” and “Beggars” The first tune is newly written and has not been recorded yet. The second is on my album “Brian & Silbin and Friends” “Good times, very cool event,” said Silbin and the end of the evening.
Jim Rodgers read from his novel Long Night’s End, where Johnny Gunn is back playing with his band on the Bowery, drinking heavily and trying miserably to forget the recent tragedies visited upon the good people of Sunnyside, Queens. It appears, however, that Johnny’s own self-destructive behavior is the real threat to his survival and that of his family. Another slice of the dark side from the urbane Mr. Rodgers.
Liam O’Connell and Henry O’Connell
The O’Connells, no strangers to AWoW Showcases, closed out the show. Henry hammered out some piano loops while his brother Liam beat-boxed and rapped “If Your Mother Only Knew.” Film and television actor Jack, O’Connell—Henry and Liam’s father—got into the act, performing a monologue from the Lyle Kessler play “Orphans” which just completed a shortrun on Broadway, while Henry knocked out Paul Desmond’s “Take Five” on the piano. Jack’s character, Harold, tries to explain the dangers of going too far for financial gain. It’s a story about his orphaned protege who dies from pneumonia after selling his last two newspapers that he wore for insulation during the winter. Later in the evening Jack said, “As a father I thought the use of this metaphor could also be applied to the music industry and the “Rap” world that my sons have flirted with.
Charles R. Hale and Tara O’Grady
With that, the evening, which Liam O’Connell called, “high energy, high attitude,” came to a close. Future AWoW events include “The Ethiopian Street Children’s Benefit” a collaboration with the HOpe Charity at the Fitzpatrick Grand Central Hotel on June 19, 6pm–Niamh, Koro and Honor Finnegan will be performing–and an AWoW Showcase on June 25th, 7pm at The Cell Theatre.
Violinist Annette Homann will be appearing in “What I’m Failing to Learn,” Wed., June 5, 7pm and Saturday, June 8, 3pm, at the 13th Street Repertory Theatre, 50 W. 13th St., NYC. Tickets $25. Ticket Information
Antoinette Montague with David Chamberlain’s Band of Bones, Wed., June 5,, first of three shows 9pm at the Zinc Bar, 82 W. 3rd St., NYC. www.zincbar.com Tickets $15
Join AWoW member and Contributing Country Living Editor Ed McCann and over 200 vendors for a three day fair beginning Friday June 7, 10am, through Sunday 5pm. All under cover at the Dutchess County Fairgrounds, Route 9, Rhinebeck, NY. Located in New York’s beautiful Hudson Valley, Rhinebeck is just 1.5 to 2 hours from New York City, Hartford,CT, Westchester County, NY, northern New Jersey and only 3 hours from Boston or Philadelphia
A number of those in attendance at last night’s “AWoW Rocks the Living Room” event asked me to reprint Martha Pinson’s beautiful and evocative story of her grandmother. The story is put to the music of “Ashokan Farewell,” another beautiful and evocative work, which was written by Jay Ungar for the Ken Burns Civil War documentary film. You can listen to Ashokan while you read by going to the bottom of the page and clicking on the youtube link.
RHYMES WITH TIME
Someone who loved order must have spared the twin maples twenty paces in front of the old, clapboard farmhouse. They lent a symmetry otherwise lacking and graciously shaded the lawn. The bank dropped sharply to a dirt road and a swampy pasture where weeping willows concealed the Dead River but not the fields rising beyond. All this, common birds and butterflies, a rusty cultivator, and whatever else was carelessly left, formed my Grandma’s view from the long, weathered porch where she worked on summer days. “How can a river be dead?” I wondered.
It was all tangles of green and, like they say in wordy books, “dazzling sunny patches interwoven with deep shades.” The atmosphere was languid, though alive with peepers. High winds and high tensions passed over the tops of surrounding hills.
She sat rather still, did Ellen Marie Kilaren Deeny. (Right, age 16) Tired, I guess, with 77 years behind her by 1951. A hungry child in Dublin, at thirteen she’d crossed the Atlantic where she said, “many brave hearts are asleep in the deep.” Here in New Jersey, she became a dairy farmer’s wife. I later learned of 13 pregnancies in 20 years, two miscarriages, three dead in their first year, seven raised, one dead at 37 from a heart infection. Now, her oldest daughter, also Ellen Marie, my mother, (Below with author) who moved back home after college to help her parents, was ill and (no one dared to think) dying from the same disease.
Grandpa was dead. The only person he could stand was my father, and vice versa. Daddy was good with him, gave him a shave every morning. His father had died some 20 years prior and I guess he thought a crazy old man was better than none. Old Hughie wasn’t suited to his fate. A skilled cabinetmaker, he remembered dancers and teachers among the Deeny’s in Donegal. He was a pretty good farmer anyway, but not good enough against the Farm Depression of the late 20’s and 30’s. Nevertheless, he sent his brilliant children to college, Radcliffe and such.
But somehow, Grandma Deeny accepted all things in life. She loved her children, did what she could, and left the rest to Providence. Daddy said she was the only good Catholic he knew (he loved to exaggerate) and drove her to Mass every Sunday. I watched her, comfortably stooped in a straight chair, wearing an old cotton dress, shelling peas. The soft wind just lifted her wisps of hair. She split the pods, gave me that melancholy smile, and said nothing. I said nothing, too. A child respects a reverie sometimes, I’ve discovered.
Swiped peas are the sweetest, warm as the day as they rolled off her thumb and dropped in the kettle ather feet. I don’t think she minded, though they were to be cooked for supper and many people were entitled. They were mine after all. My mother and father had planted and picked them and so on, and on and on spun my simple universe.
What was she thinking? Did I remind her of herself as a girl of three and make her long for her most green home? Did she wonder where the hungry tow-headed elf with her eyes would find her strength in adversity? Was she recalling her life in the light of the Immortality of the Soul and the Forgiveness of Sins? I don’t know. She was lost to me in the secret ecstasy of woman’s work so rhythmic and expert the mind is free to exult or pine, the eye to be caught by a butterfly. And she stays with me that way.
Still I strain to hear her voice, to find her words. “I’m sorry, Miss, it’s impossible. No records were kept.”
“But I want to know and there’s nowhere else to look.”
“Well, that’s not very good, is it?” says the complacent bureaucrat with finality. Furious, I walk away, but soon silently singing of Ellen Marie.
–Martha Pinson, summer 1982, edited 2011
New York City
Click here for more about the very talented Martha Pinson.
If you were recording this interview, I’d be laughing. And then, maybe, laughing some more. The tough question first? That’s the name I was born with; I’ve only been using it professionally a few years. I have a new stage name waiting in the wings, but that’s still a secret.
A notable producer and new friend once said to me, “If you’re born 7 feet tall, you play basketball. If you’re born feeling everything too deeply, you create.”
I’ve been singing since I was 8 and writing all kinds of nonsense since 12.
Do you have upcoming events you’d like people to attend?
I’m in recording mode, yet I do have a set coming up on Thursday, June 13, 8PM at Two Moon Art House & Cafe. I’ll be performing along with this great duo from California, David and Olivia, in celebration of their album release. Info/Details/Updates on my social media page: Salina Sias Music Facebook Page
What is/are your favorite songs/albums?
In this moment without thinking too hard, because then I would go on and on:
Adagio for Strings (Barber)
Air on a G String (Bach)
What a Wonderful World
God Bless the Child
Les Triplettes de Belleville Soundtrack
Tom Waits’ Mule Variations
Eminem’s The Eminem Show
And many, many more….
Who are the songwriters you admire?
Tom Waits, The Bee Gees, Mercer, Gershwin, Leonard Cohen, Tori Amos, I could ramble on…and currently I’m admiring Anna Ternheim from Sweden.
Who is your greatest inspiration and why?
People inspire me; the connections I make inspire me.
My children. Above all else, they breathe new life into mine every day.
What are the top five things you’d like to accomplish in the next five years?
Mount an episodic play I began writing in 2001
Write a song I can sing with a youth chorus
Write & record a few songs in Spanish
Perform in places I’ve never visited
Sing/Collaborate with more great singer-songwriters
Buy a house (Shoot. You asked for five.)
If you could dream of trying something in the arts you haven’t tired, but would like to, what would that be?
Audition for SNL
I do have some experience in comedic acting. But still. SNL.
What was the best gift that someone gave you that inspired or facilitated an interest in your art?
Honor Finnegan, conducting a seminar and performing in an evening concert, Friday, May 31, at the NY Uke Fest. Check the Uke Fest website for details.
Jack O’Connell
“AWoW Rocks” at “The Living Room,” with Jack O’Connell and his sons, Henry and Liam, Niamh Hyland, Tara O’Grady, Sasha Papernik and others. Friday 6:30 to 9:00 at the Living Room, 154 Ludlow Street, NYC.
Sasha Papernik
Honor Finnegan at “Joni Mitchell’s Blue: A 40th Anniversary Celebration.” First Unitarian Church, Pierrepont St. at Monroe Pl., Brooklyn Heights, Brooklyn. Saturday, June 1, 8pm. $20 Order tickets here: Joni Mitchell’s Blue
Due to recent overexposure to mystical readings (and Flan O’Brien), Don Creedon is beginning to suspect that he only exists as a product of his own imagination. That imagination currently tells him he is a playwright, screenwriter, director, actor, and producer, originally from Dublin, Ireland and now living and working in New York. His plays include The Lobby, Celtic Tiger Me Arse, Shackled, Divine Intervention, Dry Rot, and Guy Walks Into a Bar (winner Audience Award for Best Play 1st Irish Festival 2010). Imagined screenplays include A Very Married Man, Mir Friends, and Work of God. He also seems to have directed numerous other plays and is the president/founding member of Poor Mouth Theatre Company, which appears to be based in An Béal Bocht Café in Riverdale, the Bronx.
Do you have upcoming events you’d like people to attend?
A reading of a new rewrite of my first play The Lobby, an Irish comedy farce. This reading will be public, not just in my own head. I think. Date and venue TBD.
Guy Walks Into a Bar – with Bill Rutkoski and Walter Michael Deforest, written and directed by Don Creedon
What is your favorite dramatic work/s?
The Misanthrope, Noises Off, Loot, Juno and the Paycock, The Beauty Queen of Leenane, Much Ado About Nothing, To Be or Not to Be, Bringing Up Baby, The Philadelphia Story, Father Ted, Nurse Jackie, Arrested Development, Fawlty Towers, any Laurel & Hardy.
Who are the playwrights (and writers) you most admire?
Molière, David Ives, Christopher Durang, Joe Orton, Caryl Churchill, Beckett, Pinter, Martin McDonagh, Flan O’Brien, Jennifer Egan, Joseph Heller, Dave Eggers, Salinger, PG Wodehouse, Roddy Doyle. Oh…and Shakespeare (esp. the comedies).
Who is your greatest inspiration and why?
Bob Dylan, for his timeless imagery, unique mode of expression, continuing relevance, complete disregard for public opinion, his “never-ending tour”, and the relentless pursuit of his vision. I consider him today’s Shakespeare.
Shackled – with Katherine O’Sullivan, Andy Fitzpatrick and Bronagh Harmon, written and directed by Don Creedon
What are the top five things you’d like to accomplish in the next five years?
Have my latest full-length plays The Lobby and Dry Rot produced outside of my head.
Adapt my screenplay Work of God for the stage.
Rewrite the play Spudmunchers (with Colin Broderick).
Continue to produce new, original work at Poor Mouth Theatre Company—keeping the Bronx safe for theatre!
Achieve nirvana.
If you could dream of trying something in the arts you haven’t tried, but would like to, what would that be?
A one-man show with me in it.
A two-man show with me playing both parts.
A three-man show with me playing all three parts.
I think you get the drift.
Boys Swam Before Me – at Poor Mouth Theatre Company, written by Seamus Scanlon, directed by Don Creedon, featuring Katherine O’Sullivan and Paul Nugent
What was the best gift that someone gave you that inspired or facilitated an interest in your art?
An A for an English essay in secondary school. (In Ireland, A’s for anything are quite rare—they don’t like to over-encourage!). Before that, I didn’t know I had a “voice”.
Niamh Hyland will be singing at the Irish Arts Center’s “Sunday at Seven.” Tonight, May 19, 7pm at the Irish Arts Center, 553 West 51st, NYC. Tickets $10. Ticket Information
Annette Homann
Violinist Annette Homann will be appearing in “What I’m Failing to Learn.” Wed., May 22, 7pm at the 13th Street Repertory Theatre, 50 W. 13th St., NYC. Tickets $25. Ticket Information
Tara O’Grady will be launching her CD “A Celt in the Cotton Club” and performing at Mary O’s, 32 Avenue A, NYC. Thursday, May 23, 7pm. Tara O’Grady Music
Mary McPartlan
Singer/songwriter Mary McPartlan and pianist Bertha Hope will be performing at ZirZamin, 90 West Houston Street, Friday, May 24, 7:30pm. Tickets $20.
Moley and Owen ‘O Suilleabhain
Koro Koroye and Owen and Moley O’Suilleabhain will be performing at the “LES Festival of the Arts,” in the Johnson Theater, The Theater for the New City, 155 First Avenue, NYC. Friday,
Come join AWoW member, Tara O’Grady, for her A Celt in the Cotton Club CD Launch Party – Thursday, May 23 at Mary O’s, 32 Avenue A at 7:00pm. This is the third album from the New York singer-songwriter whose voice can only be described as a Celt in the Cotton Club. Tara O’Grady swings original songs as well as some traditional Irish tunes and re-baptizes them to sound like Billie Holiday is back!
The title of Tara’s third album comes from a bass player in Nashville who upon hearing her sing in the Tennessee recording studio, tweeted the current title to describe her voice. Her original songs were inspired by Irish people she met from Belfast to Butte, and everywhere in between. And she throws in a few favorite Irish traditional tunes for good measure – a swinging rendition of ‘Go Lassie Go,’ a smoky version of ‘Black is the Color,’ bossa nova style, and a blues inspired ‘Too Ra Loo Ra,’ the famous Irish lullaby that in no way lulls the listener to sleep. Inspired by Belfast native Van Morrison, her brother Tom O’Grady composed the music for ‘To Be Missing the Sun’ and ‘La Dee Da,’ and the featured saxophonist/clarinetist Michael Hashim co-wrote ‘That’s What the Miners Would Say,’ a tribute to the Irish immigrants who died in a historic fire in Butte, Montana. Tara’s Celtic connections are woven throughout every inch of this musical tapestry, including a tribute to Billie Holiday in the song ‘Gardenia Girl,’ revealing Lady Day’s Celtic bloodlines.
The band will be swinging live at Mary O’s, a favorite New York venue of Tara O’s. It’s owner, Mary O’Halloran, a Roscommon native, is one of the friendliest restauranteur’s in town. No cover, no minimum. Just music and merriment. And a signed copy of Tara’s new CD.