Elsa Nilsson at Rockwood Music Hall Jan. 6
https://www.awownyc.com/event/elsa-nilsson-at-rockwood-music-hall-jan-6/
Mitch Traphagen’s Photos from Artists Without Walls’ October 27, 2016 Showcase at The Cell Theatre, New York City
Mitch Traphagen’s photos from Artists Without Walls’ Showcase at The Cell Theatre in New York City.
"THE LEVEL of PROFESSIONALISM was CAPTIVATING and INSPIRATIONAL" at AWoW'S SHOWCASE at THE CELL THEATRE
“I totally enjoyed the Showcase. The level of professionalism was captivating, and inspirational…the The Cell is an exceptional venue. Thank you for an enjoyable evening….I plan to be there again soon.” Maia Nero
Sam Adelman opened the evening, reading a humorous piece from his upcoming book “Getting Out of Show Business,” offering an anecdotal account of getting stiffed for cash on an editing job, only to receive a world-famous photograph and a hand shake from Muhammed Ali. This picture was certainly worth a thousand words. A perfect opening to what became a grand evening.
Charles R. Hale, one of Artists Without Walls’ cofounders and a Resident Artist at The Cell Theatre, premiered his short film “Jazz and the City: The New York Connection.” The film is a companion piece to his show of the same name, which debuted at The Cell in April. From the best of times to the worst of times, songwriters have captured every corner of New York City through music. Weaving story, sidebars, images and the music of the Gershwins, Jerome Kern, Johnny Mercer, Billy Strayhorn and others, Charles’s film connects New York City through the songs of the composers and performers who lived in the city, through the venues in which the songs were popularized and through his own recollection of New York and song. “Sharp film…and that voice…as usual, great tone and presence.” David Goldman
Actor/singer Almeria Campbell followed with a stirring performance combining her acting and singing skills. “Performing at AWoW was my first time singing (outside of voice lessons ) for an audience in quite some time. It was amazing. The audience, or I should say community, is so supportive.” Despite her concerns, Almeria’s voice was in very fine form, seamlessly incorporating two songs, “His Eye is on the Sparrow” and “Maybe This Time” into her presentation.
Joel Cruz, the story teller, will make you cry…and then smile. He’s not just toying with emotions; His songs are borne from his personal story. They pull your heart in all directions the way life does. He takes his time, as if he really wants you to listen and hear. Joel demonstrated his vulnerable side, sharing his most inner thoughts, but the audience loved and appreciated his work. Additionally, it was a joy to see singer/songwriter Martina Fiserova and Joel perform together. They were clearly having a good time! The music was complex– lots of lyrics, yet catchy enough for listeners to sing along. We look forward to more unexpected surprises from Joel Cruz.
Mark Donnelly channeled his inner child with a funny monologue based on his boyhood desire to be a cowboy and ride the range with Gene Autry and Roy Rogers. But it seems the audience was most impressed with Mark’s father, who stepped up, defended his son, and won the day…and the audience.
David Raleigh was joined by Annette Homann for a moving and evocative “Stormy Weather,” a pop standard built around a classic weather metaphor. From the moment Annette’s bow struck her instrument, through the moment David sang, “Don’t know why, there’s no sun up in the sky…stormy weather…” through their last playful notes, the audience was held rapt. A beautiful duet. David closed out the show with a brilliant medley, incorporating tunes by Al Green, Stevie Wonder, George Gershwin and one of David’s tunes, “One Together.” The perfect finishing touch to another sensational evening of diverse talents.
The next Artists Without Walls’s Showcase at The Cell, 338 West 23rd St, NY, is scheduled for Tuesday, July 26. The doors and the bar open at 6:45. The performances begin at 7:30. For more information: info@artistswithoutwalls.com
ALLISON SYLIVA, JOHN MORAN, REBECCA LOWRY and COURTNEY TORRES at ARTISTS WITHOUT WALLS' SHOWCASE at THE CELL THEATRE
You can watch the artists perform, and meet them as well, at Artists Without Walls’ May Showcase at The Cell Theatre, this Tuesday, 5/24. The doors and bar open at 6:45. Presentations begin at 7:30.
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Here are a few of the artists who will be performing:
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Allison Sylvia is a poet/artist/dancer who has performed at a number of Artists Without Walls’ Showcases. Here’s what was said about Allison after her performance at “Permutations,” an AWoW/ Kathleen Bennett Bastis collaboration at Chelsea’s First Street Gallery last Spring: “Attention grabbing, fast paced, stay focused so you don’t miss a thought….Allison is not a rapper, but if Socrates were a rap artist you might think of Allison. Brilliant.”
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AWoW charter member Brendan Connellan, who has written and produced a number of shows that were premiered on 42nd Street, NYC in the past few years, will be presenting a scene from his play, “Savage.” Appearing in the scene will be:
Courtney Torres, who frequently works with independent theater companies such as Locked in the Attic Productions and Fengari Ensemble. She has participated in various showcases and festivals in the New York City and currently trains at Playhouse West Brooklyn Lab.
Rebecca Lowry, who last appeared on the New York stage in the mid-1990s, when she spent a decade traveling the country as a professional actress performing in everything from Shakespeare to Burlesque. She is currently an attorney and legal writing Professor at Saint John’s University as well as an economic analyst.
And..John Moran, long time fan and charter member of Artists Without Walls, fresh from filming Danni for “Take it to the Stage Productions” and “Age of Consent” in association with Rusty Ferris Wheel Productions and Artists Without Walls.
MUSICAL ARTISTS SHINE AT LEHMAN COLLEGE: CHARLES R. HALE’S "MUSICAL HISTORY of the LOWER EAST SIDE
This past Thursday, Lehman College: The City and Humanities Program and the CUNY Institute for Irish-American Studies sponsored a performance of Charles R. Hale’s “Musical History of the Lower East Side,” celebrating the music of a neighborhood from which many of our nation’s ethnic groups can trace their origins.
In the 1840s, almost half of America’s immigrants were from Ireland. Often leaving behind famine and poverty, the Irish would often sing ballads steeped in nostalgia and self-pity, and despite the troubles they’d left, singing the praises of their native soil. The Irish also brought Celtic music. Melodies common to fiddlers throughout Scotland and Ireland were transferred nearly intact to the American fiddle tradition. Deni Bonet performed one such tune that has remained a bluegrass fiddler favorite, “Red Haired Boy.”
Stephen Foster, who’s often referred to as “the father of American music,” moved to the Bowery in 1860. Foster was primarily known for his parlor music and minstrel music. Niamh Hyland, with accompaniment from Deni and Noah Hoffeld, sang two popular Foster tunes, “Hard Times Come Again No More,” 1854, and “Slumber My Darling,” 1862.
A steady stream of Italian immigrants began arriving in America in the late nineteenth and early twentieth centuries. Italians from Naples and Southern Italy brought with them a traditional form of singing called Neapolitan music. In New York City, Italian tenors Enrico Caruso and Beniamino Gigli popularized such songs as “O Sole Mio,” “Funiculi Funicular” and “Non ti Scordar di me,” which was performed by soprano Ashley Bell. Italian immigrants also helped popularize the Metropolitan Opera, which debuted a number of Italian operas, including Giacomo Puccini’s Gianni Schicchi in 1918. Ashley performed the opera’s most popular aria “O Mio Bambino Caro.”
The Lower East Side is especially remembered as a place of Jewish beginnings in America. Between 1880 and the start of World War I in 1914, about 2 million Yiddish speaking Jews left Eastern Europe and Russia where pogroms and persecution made life unbearable. While Jewish composers, many of whom lived on the Lower East Side, were influential in creating the American Songbook, they also brought a great deal of European music with them as well. Basya Schechter and Noah Hoffeld captured the spirit of the past with two Yiddish songs, “Oyfn Pripetchik” and “Shnirele Perele”
George and Ira Gershwin were composers who were raised on the Lower East Side. George’s classical music such as Rhapsody in Blue, his opera Porgy and Bess and his many show tunes remain popular today, but he also teamed up with brother Ira to write “I Got Rhythm,” “The Man I Love” and “Someone to Watch Over Me,” which was performed by jazz pianist and vocalist Mala Waldron with accompaniment from fiddler Deni.
In the mid 1950s many artists and musicians were drawn to the neighborhood around the Bowery by cheaper rents. The Five Spot Café, a jazz club located between 4th and 5th Streets, staged jam sessions with some of the giants of jazz: Thelonius Monk, Charles Mingus, John Coltrane, and Lower East Side resident, Charlie Parker. Waldron, accompanied once again by Deni, performed a Parker favorite “Embraceable You.”
In the 1940s and 50s Latin Jazz began to take hold in New York City. At the same time, there was the first great migration of Puerto Ricans entering the country. Shortly, Dominicans and other Spanish groups followed. Latin jazz musicians, guitarist Yuri Juarez and percussionist Jhair Sala, performed a tune that was popular in the Latin community, now known by its Spanglish name, Loisaida, in the 1940s and 50s, “Night in Tunisia,” written by jazz great Dizzie Gillespie.
The music of the Lower East Side has continued to evolve from garage band to punk to alternative rock and yet, each year, the Loisaida Festival continues to evoke the spirit of its immigrant past, as did Yuri and Jhair with the last song on the program, “La Bikina.”
A big thank you to all the artists who participated in the “Musical History of the Lower East” and to Lehman College: The City and Humanities Program and the CUNY Institute for Irish-American Studies for sponsoring the event.
Photos by Mitch Traphagen.
MITCH TRAPHAGEN'S PHOTOS from AWoW's SHOWCASE AT SID GOLD'S
Mitch Traphagen’s photos from AWoW’s Showcase at Sid Gold’s, March 29, 2016.
JOIN NIAMH HYLAND and CHARLES R. HALE at ARTISTS WITHOUT WALLS' ANNIVERSARY SHOWCASE
Join Artists Without Walls on Tuesday, February 23rd, at The Cell Theatre for an evening of great entertainment as it begins its fourth year.
“We’ve always been inspired by the flowering of artistic achievement, which often arises when cultures come together. Jazz is one of the great examples. As a result, we were inspired to create a dynamic environment that allows for and promotes cultural collaboration and artistic achievement. We are excited that we have created a laboratory where people can experiment with their ideas in a safe space and collaborate with their peers in new untapped ways.” Charles R. Hale and Niamh J. Hyland, Artists Without Walls cofounders and artistic directors.
The Cell Theatre is located at 338 W23rd St, NYC. The Cell’s doors and bar open at 6:45.
SPOKEN WORD ARTIST LIV MAMMONE at AWoW'S ANNIVERSARY SHOWCASE at THE CELL in NYC
Come meet and listen to spoken word artist Liv Mammone at Artists Without Walls’ Anniversary Showcase at The Cell Theatre, 338 W23rd St., NYC, Tuesday, February 23rd.
Liv is an editor and poet from Long Island, New York, where she lives with her parents, brother, family of feral cats, and geriatric dachshund. She has previously taught creative writing at Hofstra University and Queens College. Liv’s poetry has appeared in wordgathering, Wicked Banshee, The Medical Journal of Australia, QDA: a Queer, Disabled Anthology and is forthcoming in the anthology, Grabbing the Apple. As a spoken word poet, she has featured at Sip This, Artists Without Walls, Tache Chocolates, and is the winner of Union Square Slam’s 2015 Nerd Slam. She is the third visibly disabled poet ever to place as a finalist for a national slam.
The Cell’s doors and bar open at 6:45.
ANNETTE HOMANN: THOUGHTS ON ARTISTS WITHOUT WALLS
As Artists Without Walls celebrates its fourth anniversary this month, we’ve asked members to share a few thoughts about their experience with the group. Here’s what violinist Annette Homann wrote:
“The Artists Without Walls’ community has been one of the most supportive communities I have ever had the pleasure to be part of. AWoW has given me the inspiration and motivation to follow through with many creative endeavors that have now become a big part of my career. I have learned so much about other art forms from watching and collaborating with other artists. I can’t thank Charles and Niamh enough!”
German born Annette, a classically trained violinist, has been performing since the age of six. She has toured throughout Europe, China, Central America, Canada and the U.S. and at various New York City venues, including Carnegie Hall, Avery Fischer Hall, Alice Tully Hall, Symphony Space and New World Stages. Her extended techniques combine elements of bluegrass, blues, pop and classical with a theatrical vibe—the violin used in non-traditional ways, often replacing the guitar and percussion.
