In conjunction with Artists Without Walls, Kathleen will be doing another event on Saturday, May 6, 6:00pm to 10:00pm, called “One Night Stand.” The evening will feature Kathleen’s work and three great jazz musicians, Thana Alexa, Josh Cohen and Nicole Zuraitis
Mark your calendar for what is sure to be a special evening. First Street Gallery is located at 526 W 26th St #209, in Manhattan.
Great line up on tap for Tuesday’s Artists Without Walls’ Showcase at The Cell Theatre.
Walter Parks
Over the past three decades, Walter Parks has forged a distinctive international career as the lead guitarist for Woodstock legend Richie Havens, half of the folk-duo The Nudes, and guitarist and leader of the swamp/blues-outfit Swamp Cabbage. His original music is inspired by the swampy gospel blues that wails from storefront churches and roadhouses in and around the southeast Georgia low country. We’re looking forward to Walter’s return to an Artists Without Walls’ Showcase.
Playwright Derek Murphy and actors Karin de la Penha and Kimberly Kelly Adams will be making their Artists Without Walls’ debut when they present a scene from a new play Derek is currently writing, a dark comedy set in NY and Dublin, titled “Dyin’ For It.”
Derek Murphy, Kimberly Kelly Adams and Karin de la Penha
Jenna Nicholls
Would you like to hear a great singer who has performed all over the world and has toured and performed with artists such as Oscar winner Glen Hansard, Amanda Palmer, Angela McClusky (Telepop), Rob Moose, Thomas Bartlett (BonIver /Doveman), Nouvelle Vague and many others? Then you’ll want to come and hear Jenna Nicholls on Tuesday evening. Jenna’s music has been featured in film and television. She’s toured and released two full albums: “Curled Up Toes in Red Mary Janes” and “The Blooming Hour” Her third release is scheduled for 2016.
Richard Deane
Richard Deane’s last appearance on an Artists Without Walls’ stage featured an emotionally provocative reading of the opening scene from his novel in progress, “When Yesterday Comes.” His use of poignant atmospherics and straight to the heart exposition pulled the audience into the midst of the dramatic conflict between his vividly constructed characters. Richard’s unabashed exploration into an uncomfortable subject was both captivating and moving.
Annette Homann and Alexaner A. Wu
Pianist and arranger Alexander A. Wu and violinist and composer Annette Homann recently presented “Strings n Keys – Three Centuries of Global Music,” celebrating the popular collaborative tradition of piano and violin. Alexander and Annette will be performing a variety of musical styles from their show including works of Ástor Piazzolla, Leonard Bernstein and more.
Kathleen Bennett Bastis
Kathleen Bennett Bastis has written prose and poetry all her life and, as a former producer for talk radio, she wrote hundreds of short descriptive “rip and read” segments about neighborhoods, restaurants, product alerts or shopping experiences in the New York tri-state area. She’s had two observations published in The New York Times Metropolitan Diary, and last year she performed her piece on Cyber Dating at an Artists Without Walls’ Showcase. Kathleen is also an accomplished artist whose work is inspired by the hue, shape and texture of salvaged materials she finds on the river, street and scrap yards. She reinterprets the history of these “found objects” by constructing them into a contemporary visual narrative.
The Cell Theatre is located at 338 W23rd St in Manhattan. The show will be hosted by Artists Without Walls’ artistic directors Niamh J. Hyland and Charles R. Hale. The doors and the bar open at 6:45. Presentations begin at 7:30.
As Artists Without Walls celebrates its fourth anniversary this month, we’ve asked some members to share a few thoughts about their experience with the group. Here’s what Kathleen Bennett Bastis wrote:
Kathleen Bennett Bastis
‘The first time I went to an Artists Without Walls’ event I was immediately struck with the sense of community – a palpable vibe that seemed to take “ego” out of the equation – casual yet professional. The talent pool performing at an AWoW event is deep, many with impressive pedigree, bringing a broad range of musical and theatrical artists, dance, spoken word and comedy to their stage. I’m not sure there is anywhere in the city that a spoken word artist shares the stage with a belly dancer. The enthusiasm, variety and the high level of talent rarely wanes and keeps me coming back month after month.”
Mixed media artist Kathleen Bennett Bastis’s work is inspired by the distinctive character, energy and form found in the fragments of discarded, washed up, broken or otherwise overlooked materials which she salvages from the street, river bank and scrap yards. Their unique shape, texture and hue guide her creative process as she reinterprets the history of this detritus and constructs a contemporary visual narrative. Click here to visit her website.
In this week’s New York Times Style Magazine there is a piece about the 78-year-old experimental performance artist Joan Jonas, who lives in a loft in SoHo and who, since the late-60s, has been practicing her own unique art form: “Jonas has pursued a category-defying, perpetually exploratory practice that melds performance, drawing, film, video, sculpture, installation, sound and literature.” Jonas is a woman not constrained by any discipline. She would have fit in well with the sisterhood of artists—visual, performance, and musical—at the Artists Without Walls: Gallery Series, featuring Kathleen Bennett Bastis’ Permutations at the First Street Gallery, NYC this past Friday night. Mixed media artist Kathleen Bennett Bastis, singer-songwriter Martina Fišerova, violinist Annette Homann and performance artist Allison Sylvia, like Jonas, do not fit neatly into a pre-packaged brand: all are difficult—in the best way possible—to pin down. The aptly named exhibition Permutations served them all well. There was alteration and transformation in spades on the night!
Annette Homann and Martina Fiserova
The “art gallery etiquette” was thrown out the (second floor) window: no need to speak in hushed tones as you observed the marvelous surrounding art work in the white on white space. Laughter and conviviality abounded. Kathleen set the tone when she, in addressing the crowd, held up an AARP magazine with an image of Bob Dylan on the cover. Yes, indeed the times are a changin’. Kathleen beautifully (and magnificently) harnesses that sense of flux in her work, transforming and reimagining all kinds of detritus. “She’s the real deal,” someone leaned over and whispered to me. And we AWoWers that night had the best deal in town.
Niamh Hyland introducing Martina Fiserova
Martina Fišerova was the first of the evening’s entertainers. And boy did she entertain. In her green, tulle pixie dress and black boots, with guitar in hand, she worked her magic, opening with one of her classic quieter pieces, but, with encouragement from the crowd, embraced her wilder side toward the end, with a dazzling display of guitar work and what can only be described as supernatural vocals. It was riveting to watch and hear.
Allison Sylvia
Allison Sylvia followed on Martina’s heels. Allison, a recent graduate of NYU, is a thinking young woman who melds song, dance, poetry, and chant (for now) in her work—I’ve a feeling she’ll push the envelope even further in future performances—also had the crowd on the edge of their seats. A year or more ago, I’d read snippets from journal entries Allison had written—character sketches she committed to paper as she rode the subway between Manhattan and Brooklyn. And lo and behold, there she was Friday night dramatizing these characters—cello players and unrequited lovers—for an enthralled audience. Just as Kathleen had done in her multi-media pieces, Allison transformed her scraps into art.It’s exciting to watch her perform. And mark my words, she’s only coming into her own.
Annette Homann
Annette Homann, our very own lady-in-red, violinist extraordinaire, rounded out the evening’s entertainment. Over the past few years, I’ve seen Annette perform numerous times. She is an amazing musician, a powerhouse of talent. And when she steps on stage, not only are we captivated by her beautiful music, but we are held in the palm of her hand by her beautiful (and beautifully authentic) personality. Her mischievous wit (watch out for that twinkle in the eye!) and hearty laugh wins us over every time. Barefoot and resplendent in a flowing red dress, Annette, segued flawlessly from classical music to pop; in the latter, impishly gyrating exaggeratedly to the swells of Adele’s Skyfall, all to the sheer delight of the audience. This joie de vivre is trademark Annette: a consummate performer. She’s having a damn good time on stage; consequently, so do we.
AWoW co-founders, Niamh Hyland and Charles Hale, did an amazing job as always co-hosting. Their job is very important, as they create the space—literally and figuratively—for artists of all stripes to be their best selves, to push boundaries, to experiment, to collaborate in a safe, nurturing environment. They are also the glorious pied pipers whose charm keeps bringing us back again and again to these marvelous events.
I think Friday night we all left the Permutations exhibition more than a little transformed. Thank you Kathleen, Charles, Niamh, Martina, Allison and Annette.
I was driving a limousine at the time; It was a late night pick-up, Christie’s auction house to the Upper West Side. An art dealer sat in the back.
“What is art?” I asked.
“Art is the tool which unlocks your soul,” he replied.
“Then what is good art?” I said.
Kathleen Bennett Bastis-Slate Study #2
“If your soul needs a hammer to release it and your art hits your soul like a hammer, it’s good,” he answered.
“What if your art twists your soul like a wrench?” I challenged.
“Then it is good for the man who needs the wrench.”
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On Friday night Artists Without Walls celebrated the work of Kathleen Bennett Bastis at Chelsea’s First Street Gallery. Her mixed media art works are truly tools to unlock the soul.
Martina Fiserova
Surrounded by Kathleen’s stunning and beautiful creations with names such as Sentinel, Concerto #1, Copper Spirit and Scattered Geometry, the equally evocative and eclectic artists Martina Fiserova, Allison Sylvia, and Annette Homann captivated the crowd with their own forms of highly skilled and entertaining art.
Alison Sylvia
Martina’s accompanied vocals playfully and intensely reverberated through what seemed like near perfect acoustics in Kathleen’s First Street Gallery space. Martina’s sonority so total, so brilliant, so penetrating was a perfect prelude to Allison Sylvia’s attention grabbing, fast paced, stay focused so you don’t miss a thought, hey, I think just learned something about myself, spoken word brand of poetry. Allison is not a rapper, but if Socrates were a rap artist you might think of Allison. Brilliant.
Annette Homann
Annette Homann wrapped up the evening’s entertainment by bringing us on a musical theme park ride: Soothing us with the classical, Massenet’s “Meditation on Thais;” moving us with the contemporary, “If I Aint Got You;” thrilling us with her fiddling in Mark O’Connor’s “Caprice for Unaccompanied Violin #2,” and making us smile with a sexy, funny, acrobatic interpretation of Adele’s “Skyfall,” complete with gypsie like dance moves and back bends while never missing a note. She is a profound talent.
Great art on every level for a warm and welcoming crowd.
There were so many wonderful comments about Friday night’s premier of Artists Without Walls’ Gallery Series, featuring Kathleen Bennett Bastis’ solo exhibition “Permutations,” that we are presenting a number of the comments here, which will be followed by others over the next few days. As you’ll, read and as you’ll see in the photos, it was an incredible night.
Annette Homann
“In speaking about the materials that go into her artistic constructs that are on stunning display in her solo exhibition, “Permutations” (at the First Street Gallery in Chelsea), Kathleen Bennett Bastis has said: “Their unique shape, texture and hue guide my creative process.” The same might be said of the collaborative evening Artist Without Walls created at that gallery last night.
In bringing together a trio of performers, guitarist/vocalist Martina Fiserova, violinist Annette Homann and poet/spoken word artist Allison Sylvia— whose talents are perfectly in synch with Kathleen’s vision— it made for an event the likes of which you will rarely, if ever, experience. A melding of artists within the walls adorned by Kathleen’s masterful works… it was a memorable night. Yes, it was that good.” Ron Vazzano
Niamh Hyland and Martina Fiserova
“Visual and performing arts converged at First Street Gallery in Chelsea for a fabulously entertaining evening. The gallery walls were lined with Kathleen Bennett Bastis’ artistic sculptures. Sallie Benton aptly described Kathleen’s work on Facebook: ‘Bastis works primarily in metal; but there are stone & tile pieces, glass and mirrored pieces, cardboard, wire, string, etc. The pieces are quite varied but all have one very strong, exceptional and true artist’s voice.’
Martina Fiserova began the performances with an experimental number, displaying her unique talent on the guitar. Allison Sylvia followed with a ten minute thoughtful and humorous soliloquy on life, a well-written monologue with each word carefully chosen and placed. The inimitable violinist Annette Homan finished the night with pieces ranging from classical to pop. The joy exuded from Annette, particularly during one number when she provocatively engaged the audience with her violin music and playful dance. ” Tom Myles
Annette Homann, Kathleen Bennett Bastis, Martina Fiserova and Allison Sylvia
“Lovely and talented! Brilliant across the board; Martina, Allison, Kathleen, and Annette. Happy I was able to attend; super sounds, sights and words – magical evening it was!” Michael Muller
Charles R. Hale
“An extraordinary evening. Unequivocally original. Martina ended her set with a song that was amazing and daring. Equally daring was Allison’s poetry; her words seem to come from the deepest parts of her energetic psyche. And violinist Annette Homann’s performance of “Skyfall” brought the audience to their feet. In a perfect world Annette would team up with Niamh Hyland to do the title track for the next Bond movie.” Sam Adelman
Ron Vazzano, Kathleen Bennett Bastis and Jenai Huff
“Thank you for a night that brought back memories of New York City “Happenings” of bygone days.” Joanna Migdal
Running through April 25th, Jack O’Connell, will be starring in the World Premiere of The BISCUIT CLUB, Marianne Driscoll’s canine comedy inspired by The Breakfast Club. Directed by Kira Simring. For ticket info click here Use the code awow for discounted tickets.
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Ever wonder what goes on in a kennel when people aren’t around? THE BISCUIT CLUB gives audiences a behind-the-bars peek into Bradley’s Bed & Biscuit, a boarding house for dogs. When an aging Bulldog, a jumpy Beagle, a glamorous Shih Tzu, a grumpy Pit Bull, a champion Airedale Terrier and a wide-eyed Labrador pup are locked together for the night, a doggone good time is in store for all.
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AWOW Artists Without Walls: Gallery Series Kathleen Bennett Bastis: “Permutations”
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Join Kathleen Bennett Bastis and Artists Without Walls on April 10th, 6;30pm at First Street Gallery, 526, W26th St, Suite 209 when Kathleen, in conjunction with AWow, will be celebrating the arts–including Kathleen’s mixed-media art and live entertainment. Complimentary wine, beer and soft drinks will be served. Entertainment during the evening provided by Annette Homann, Martina Fiserova and Allison Syliva.
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Ashley Bell
Soprano Ashley Galvani Bell will be performing in SEÑORA/SIGNORA ROSSINI: A CELEBRATION OF THE LIFE OF ISABELLA COLBRAN on April 10th and 11th, 2015 at 8 pm at the Loretto Theater at the Sheen Center in NoHo, located on the corner of Elizabeth and Bleecker Street in New York City. The show will be presented as a multi-disciplinary concert for classical singers, piano, harp and actor/narrator.
For more information and to order tickets click here. Tickets are $10 for the balcony and $30 for the orchestra. Please note there is $10 discount for orchestra seats using a SPECIAL AWOW DISCOUNT CODE…Divaria1 (Be sure to use a cap D. Case sensitive.)
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Richard Stillman
Musician, storyteller & actor Richard Stillman be playing Irish music at the Verona Inn with guitarist Paul Byrne on Sundays, 6-9pm (April 12 & 19). The music will include vocals, guitar, tenor banjo, mandolin, pennywhistle, concertina, bones, harmonica and bagpipes. The address is: 624 Bloomfield Ave. Verona, NJ. For info. call 973 239 0544.
Musician, storyteller & actor Richard Stillman be playing Irish music at the Verona Inn with guitarist Paul Byrne on Sundays, 6-9pm (March 29, April 5, 12 & 19). The music will include vocals, guitar, tenor banjo, mandolin, pennywhistle, concertina, bones, harmonica and bagpipes. The address is: 624 Bloomfield Ave. Verona, NJ. For info. call 973 239 0544.
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Kathleen Bennett Bastis’ solo art show opens on March 31-April 25th at First Street Gallery, 526, W26th, Suite 209 in Manhattan. Opening reception is April 2, 6-8pm. “I am inspired by the distinctive character, energy and form found in the fragments of discarded, washed up, broken or otherwise overlooked materials which I salvage from the street, river bank and scrap yards. Their unique shape, texture and hue guide my creative process as I reinterpret the history of this detritus and construct a contemporary visual narrative.” Kathleen Bennet Bastis
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Artists Without Walls: Performance Series
“The Musical History of the Lower East Side”
Join members of Artists Without Walls on April 2nd, 7pm, as it journeys through the music of the Lower East Side. Celtic music, Minelstry, Yiddish music and humor, Italian opera and Neapolitan song, Jazz and Rock presented by a talent cast including, Ashley Galvani Bell, Deni Bonet, Maritri Garrett, Niamh Hyland, Noah Hoffeld and Baysa Schecther. And some Yiddish humor from Nancy Redman. Narrated by Charles R. Hale. Rockwood Music Hall, Stage 3, 185 Orchard St, NYC. Tickets $15 and $20. For ticket info click here. Use the code AWWMEMBER for an AWoW discount.
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Opening on April 4th and running through April 25th, Jack O’Connell, will be starring in the World Premiere of The BISCUIT CLUB, Marianne Driscoll’s canine comedy inspired by The Breakfast Club. Directed by Kira Simring. For ticket info click here Use the code awow for discounted tickets.
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Ever wonder what goes on in a kennel when people aren’t around? THE BISCUIT CLUB gives audiences a behind-the-bars peek into Bradley’s Bed & Biscuit, a boarding house for dogs. When an aging Bulldog, a jumpy Beagle, a glamorous Shih Tzu, a grumpy Pit Bull, a champion Airedale Terrier and a wide-eyed Labrador pup are locked together for the night, a doggone good time is in store for all.
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Artists Without Walls: Gallery Series
Kathleen Bennett Bastis: “Permutations”
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Join Kathleen Bennett Bastis and Artists Without Walls on April 10th, 6;30pm at First Street Gallery, 526, W26th St, Suite 209 when Kathleen, in conjunction with AWow, will be celebrating the arts–including Kathleen’s mixed-media art and live entertainment. Complimentary wine, beer and soft drinks will be served. Entertainment during the evening provided by Annette Homann, Martina Fiserova and Allison Syliva.
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Soprano Ashley Galvani Bell will be performing in SEÑORA/SIGNORA ROSSINI: A CELEBRATION OF THE LIFE OF ISABELLA COLBRAN on April 10th and 11th, 2015 at 8 pm at the Loretto Theater at the Sheen Center in NoHo, located on the corner of Elizabeth and Bleecker Street in New York City. The show will be presented as a multi-disciplinary concert for classical singers, piano, harp and actor/narrator.
Ashley Galvani Bell
For more information and to order tickets click here. Tickets are $10 for the balcony and $30 for the orchestra. Please note there is $10 discount for orchestra seats using a SPECIAL AWOW DISCOUNT CODE…Divaria1 (Be sure to use a cap D. Case sensitive.)
“How many more amazing things can I say about Artists Without Walls? It’s an amazing community and an incredible lineup of diverse artists. Thank you for the plug on my show and for the major hugs of support. I love these people.” Erin Layton
“Yes! Last night’s Artists Without Walls Showcase was exhilarating as was evidenced by the energy and smiles at The Cell . Thanks for putting together another evening of performances for the memory book.” Marty Plevel
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Honor Molloy began the evening by reading “What’s Taken,” an expressionistic segment that was dropped from her novel Smarty Girl – Dublin Savage. This piece features Noleen O’Feeney and her father trapped in the ruins of her childhood home. Afterwards, someone asked Honor why it was taken out of the book. “Because it was far too abstract for the audience I wanted…but not too abstract for the gang at AWoW.”
Honor Molloy
The silvery voice of Jenai Huff combined with the critically acclaimed singer/songwriter Eugene Ruffolo in a performance of two original tunes written by Jenai and one by Eugene. Eugene followed with a song written in Italian, which will be part of his next CD scheduled to be released in the fall. His beautiful timbre and romantic language delighted the audience.
From the moment Yvonne Cassidy began to read from her latest novel How Many Letters Are in Goodbye? she held the audience spellbound. Cassidy read the first letter from the novel title, a letter from seventeen-year old Rhea Farrell to her mother, Allison who died when Rhea was only three. Writing from Penn Station, Rhea begins to share with her mother her homeless experience but quickly lapses into questions she has always had, questions she wants her mother to answer. Judging by the book sales at the intermission, the audience members too, were keen to find out the answers to these questions! For anyone who didn’t get their hands on a copy, click here.
A delightful new presence on the music scene in New York has arrived from the heart of Europe, the city of Prague. Martina Fiserova’s humor and energy shone through her music and lit up the room. Her soulful authentic approach delivered an emotional urgency; even a melancholic story felt uplifting. The exciting chord work she does sets her apart from being “just another girl with a guitar.” We need more of these European invasions.
Martina Fiserova
Dan Yurkofsky premiered two song compositions from his new CD, Hoverhill. The songs, titled “The Time Zone” and “Walking” featured Mr. Yurkofsky’s melodic singing voice and contemplative lyrics. He was deftly accompanied by two fine musicians, Matt Turk on acoustic guitar and Noah Hoffeld on cello . To learn more about Hoverhill, and to hear listening examples from the CD you can click here.
First time performer, Kathleen Bennett Bastis’, opened the second half of the show with an hilarious and “spot on” perspective of internet dating. Kathleen claimed that this was the first time she had been on stage since she performed in Scheherazade in fifth grade; hard to believe given her poise, charm and insouciance. “As always, a terrific evening of great entertainment and talent,” Kathleen said after the show.
Ashley Bell was next and she dazzled all with a stirring rendition of the opera staple, “O Mio Babbino Caro.” She followed up the showstopper with an original composition, which showcased her lower register and displayed another level of her vocal instrument.
Ashley Bell
Digital poet and recent NYU grad, Allison Fichtelberg dazzled the audience with a spellbinding performance of her epic poem “Scroll.” I am honored to have performed for such a receptive audience and to share the space with such talented artists. That was the first performance I’ve done where I summoned the appropriate chutzpah to make the concluding sword trick work.” (You’ll have to see her perform live to understand that comment.) An absolutely mesmerizing performance.
But Allison wasn’t done for the night. Lyndon Achee, steel drummer and percussionist began with a piece dedicated to his sister Beatrice who died of breast cancer. Lyndon than circulated a bag of instruments—tambourines, maracas, drumsticks and bells–through the audience who accompanied Lyndon in an upbeat tune, which ended with Allison coming back on stage and dancing to the sweet sounds of a steel drum. A wonderful, highly spirited, ending to a great night.
The next Artists Without Walls’ Showcase at The Cell will be on July 22nd at The Cell Theatre, 338 W 23rd St., NYC. For more info on Artists Without Walls write to info@artistswithoutwalls.com
From Artists Without Walls’ member Kathleen Bennett Bastis: “I am a member of the First Street Gallery and we’re pleased to announce that our annual exhibition, which is comprised of non-member artists from all over the country, presents its 2014 National Juried Exhibition, June 26 – July 19.” There will be a reception on Saturday, June 28, 3-5 PM, 526, W26th St., Suite 209, NYC.”
The exhibit will be juried by Jed Perl, the art critic for The New Republic, author of numerous articles, essays, and books. The exhibition includes paintings, photography, drawings, mixed media, and sculpture by 45 artists from all parts of the country, working in diverse styles.
