CROSSING IRELAND: "INIS MÓR TOUR" by ANGELA ALAIMO O'DONNELL

 The eighth poem in Angela Alaimo O’Donnell’s series. Click “Crossing Ireland” for the opening essay.  More about Angela Alaimo O’Donnell.

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INIS MÓR TOUR

 

Tomás, the crazy man of Árann

waved his worn map at me,

his red minibus idling patiently.

 

I’ll take ye on tour in yer very own van,

the 80-Euro fee, he promised, a steal.

We were charmed, fooled, dumbed into the deal.

 

Great stout fellows! he bellowed at the seals

who wallowed on the island’s western shore

as if they’d heard and answered him before.

 

He told the same 3 jokes: seven t’ousand stone

walls on the island, though I don’t know

who counted ‘em! he’d intone,

 

then laugh the mirthless laugh of the mad

while we all stared straight ahead

hoping he’d keep the van on the road

 

wracked with glee at the touring Yanks who

came so far to see mere rocks

and paid 80 Euro to do so

 

(that being the 4th joke—the one he would think

and not tell, savor it in his thoughts

as he’d wave to his neighbors with a sly wink).

 

We made his day.  And he made ours, if truth

be told about an islandful of lies.

There’s no romance in being marooned,

 

no great honor or special dignity

living life at the mercy of the merciless sea.

The truth not on his tongue was in his eyes—

the profit in what fools prize.

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CROSSING IRELAND: "ON PILGRIMAGE" by ANGELA ALAIMO O'DONNELL

The seventh poem in Angela Alaimo O’Donnell’s series. Click “Crossing Ireland” for the opening essay.  More about Angela Alaimo O’Donnell

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ON PILGRIMAGE

Glendalough Monastery

 

They’re great ones for travel, the Irish Saints,

or so the map announces with its names

of mountains, towns, and old holy wells.

 

Brigid loved Liscannor’s Hag’s Head grandeur—

and the ground gushed in sympathy, healed all harm

long after she left to tend the fires of Kildare.

 

Patrick climbed the Croagh above Clew Bay

and hove a great bell past the edge

ringing in the era of snake-less Éire,

 

while Brendan rowed his Bantry boat from coast

to coast, baptizing pagans and blessing babies,

before setting out, at last, for America

 

like so many of his kin and kind

in centuries to come.  How rare the saint

who homes, the blackbird hatching in his hand.

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Statue of St. Patrick at Croagh Patrick

 Dave Walsh photo.com

CROSSING IRELAND; "SPIDEIL ROAD, GALWAY BAY II" by ANGELA ALAIMO O'DONNELL

The sixth poem in Angela Alaimo O’Donnell’s series. Click “Crossing Ireland” for the opening essay.  More about Angela Alaimo O’Donnell

 

SPIDEIL ROAD, GALWAY BAY II

 

Here at the margin of the world all is edge.

Rock juts against green hedge,

the sea cuts a long knife of shore,

sky meets sand in a bleared scrim,

all muffled in a cotton of fog.

 

Amid the blab of the pub

I’m made to feel welcome.

Then the savage cut,

sudden as blood,

struck by the stranger

or, worse, my child

irked by my joy and banter.

 

I fade into that fog,

walk among the ghosts

as I hear the dead tales

told of me:

she was a nuisance

and our great fool.

 

The wounds still fresh,

today I eye

the same sea & earth & sky

with a difference.

 –

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Photo by Charles  R. Hale

 

 

 

 

CROSSING IRELAND: GAINING MY NAME by ANGELA ALAIMO O'DONNELL

The fifth poem in Angela Alaimo O’Donnell’s series. Click “Crossing Ireland” for the opening essay.  More about Angela Alaimo O’Donnell

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GAINING MY NAME

 

I’ve gained this name by marriage, in case

you’re wondering how a Guinea like me

comes to claim a Celtic ancestry.

 

And those three big boys I birthed are half

enough Irish, making me holy

as any other on this mother-loving shore.

 

I’m an exile, too, and an islander,

the cliff and stone of Sicily as high

and hard as yours, only the skies are bluer

 

and the names are nearer to mine,

rich with vowels sung from a southern sea.

Born Alaimo, I’ll die O’Donnell. 

Both names claim a world for me.

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Beara-Peninsula-West-Cork

CROSSING IRELAND: SPIDEIL ROAD, GALWAY BAY by ANGELA ALAIMO O’DONNELL

The fourth poem in Angela Alaimo O’Donnell’s series, “Crossing Ireland.” The next poem in the series will appear on Monday, March 10. Here’s the link to the essay that began the series “Crossing Ireland”   

More about Angela Alaimo O’Donnell

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SPIDEIL ROAD, GALWAY BAY

 

My head so full of earth, words won’t hold it,

English syllables never shaped to these contours,

its wind-etched rock and wide sky fit for rune.

 

There is a solemn strangeness to this place,

a weathered air that holds its past

sorrows as if they were not past.

 

I can not count the beauty of towns,

the grace of wilder spaces

and guide them into easy lines.

 

Like the narrow lanes that map

this well-walked ground, my mind

moves along margins

urgent for the center,

the hidden heart I long to enter.

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CROSSING IRELAND: TIGH MHOLLY by ANGELA ALAIMO O'DONNELL

The third of twelve poems from Angela Alaimo O’Donnell’s suite of poems, “Crossing Ireland.” More about Angela Alaimo O’Donnell

 

TIGH MHOLLY

 

Yer makin’ the Yanks’ Tour, are ye?

Peadar said, Cian smiling behind the bar

pouring 4 pints for his new American friends,

 

our 100-mile drive from Kerry to here

amusing to a man for whom the next

county is another country away.

 

He told us the history of the pub,

the clock that stopped at Mholly’s daughter’s birth

a century gone, ticked past the time

 

while he walked us from stone room to stone room

naming the faces in the Stations on the walls,

a Celtic Virgil leading a mis-guided tour.

 

All the while we drank the famous Guinness

drawn from Mholly’s lines laid long ago

making it the best on the Spidéil Road,

 

while we argued poetry, Barack O’Bama,

the slant of the light on Conemara cliffs,

no new thing fine as the old.

 

What he knew he knew sure as his own hand

and wouldn’t take no for an answer:

Heaney was a hack, Donegal men dishonest,

 

and An Clochán as far as you’ll need to go

should you need to leave home for awhile

and you know you’ll be needing to come back.

c103_a_ries_cliffs_of_moher_car

 

 

 

 

 

 

 

 

 

 

 

 

 

CROSSING IRELAND: COUNTY KERRY by ANGELA ALAIMO O'DONNELL

Angela Alaimo O’Donnell has had a few flirtations with the notion of “Being Irish.” Given that March seems to belong to the Irish, she has written a  brief essay, along with a suite of poems called “Crossing Irish.” This is the second of twelve poems. More about Angela Alaimo O’Donnell

 

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COUNTY KERRY

in the shadow of MacGillycuddy Reeks 

–

Unreal, the way we walk among them

full of our bangers and eggs,

clad in our smart mackintoshes

and good boots, safe from the rain

that pierces them like bullets from a dark god.

–

There is death out here in the beauty.

A hunger remembered in the earth.

The mountain rises slant, like mercy.

The slow slope of light eases the grace

under all the suffering and sorrow,

beyond the dark-ringed eyes of the haunted

whose hunger can know no end.

 –

We call it drama, romance, history.

We trespass on their mystery.

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CROSSING IRISH: WANTING TO BE IRISH by ANGELA ALAIMO O'DONNELL

Angela Alaimo O’Donnell is a poet and professor at Fordham University in New York City where she teaches English, Creative Writing, and American Catholic Studies. Her most recent book of poems, Waking My Mother,  a collection of elegies focused on the relationships between mothers and daughters. has been published by Word Press in Fall 2013.  Her previous book, Saint Sinatra & Other Poems (May 2011), was been nominated for the Arlin G. Meyer Prize in Imaginative Writing.

 

Angela has had a few flirtations with the notion of “Being Irish.” Given that March seems to belong to the Irish, she has written a brief essay, along with a suite of poems she wrote called “Crossing Irish.”  The poems are devoted to the theme of wanting to be Irish.

 

Today we are presenting Angela’s essay and the first of twelve poems. The rest of Angela’s poems will be posted in the days leading up to St Patrick’s Day. 
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CROSSING IRISH

         By Angela Alaimo O’Donnell

 

Brennan and Angela O'Donnell
Brennan and Angela O’Donnell

           As a child, I never wanted to be Irish.  This was a convenient circumstance, since I wasn’t. (My Irish name is my husband’s gift to this Sicilian girl.) 

 

            Then I grew up and fell in love with poetry—English poetry first, then American poetry, and then, finally, fully, fatally, I fell in love with Irish poetry.  The yearning of Yeats, the wicked wit of Kavanagh, the heart and heft of Heaney—all of them spoke to me, or rather, sang to me, in voices that were at once distinctly their own and also the collective voice of their common clan.  It was then that I wanted in.

 

Angela in Sligo
Angela in Sligo

            This itch to be Irish only got worse when I visited Ireland for the first time.  Once our plane set down on Shannon’s tarmac (holy ground), once we got in our rental car and started driving across the glorious West of Ireland, I recognized the landscape as though it were my own.  Irish poetry—with its deep rooting in the past, its mists of memory, its hard love of the hard land—had claimed me, planted in me the bizarre belief that I belonged to Ireland.  I felt a sense of homecoming I’ve felt in only one other place in the world—Sicily, my true ancestral island from which my grandparents emigrated 100 years ago.  

 

           

The Ring of Kerry
The Ring of Kerry

Though Ireland & Sicily might seem to have little in common—one ruled by rain, the other sun—they share much:  a rich history of miraculous happenings; a penchant for saint-making; a fierce pride in their separateness, their exiled state;  a wild & wonderful language that makes ordinary English and Italian sound strait-jacketed, tied-up, and tame.

           

As a child, I never wanted to be Irish.  Now, as an adult, I do (oh, I do).

 

            Happily, as a poet, I’ve found a way to claim this invented identity—or, at least, to imagine it—through poetry.  The poems that follow belong to a series called, “Crossing Irish,” a suite of poems I wrote five years ago during another visit to that Island of the Blessed.  For all of you Irish readers out there, I hope this Italian-American wannabe’s work might not seem presumptuous.  For all of you non-Irish readers who are also lovers of Ireland—well, you’ll know exactly what I’m talking about.

 

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ON NOT BELONGING TO IRELAND

 

Our Aer Lingus flies through Irish skies,

and I know I’m not at home

well before my feet touch the Tarmac.

 

Filing into Shannon, we take our places

in the long line of Irish ex-pats

whose cousins left as hopeful as they arrive.

 

Here I am clear extra, exotic

by Irish measure, if not New York’s,

my dark hair and olive hands a sign.

 

You don’t look Catholic, says the ex-priest

who left Queens and his cassock behind

for this spot at Hughes’ bar, An Spidéil.

 

Italian—or Jew—what’s the difference?

says the glint in his Irish eye.

Nothing of you begins here, where we do—

 

his American accent stronger than mine,

me with my traitorous poet’s ear

who loves all music better than my own.

 

At two weeks’ end, I’ll speak with a lilt,

the song of the Island sown in my dreams,

my foreign heart more native than she seems.

 

 

 

HOFSTRA UNIVERSITY STUDENTS PERFORMING in ARTISTS WITHOUT WALLS' SHOWCASE 2/18/14

Artists Without Walls, in conjunction with the Hofstra University Irish Studies’ program and the Hofstra Cultural Center, will be bringing its “Showcase” to Hofstra University on Tuesday, February 18th, 2:15pm. Over the next two weeks we will be highlighting the performers who will be appearing. We are very pleased to announce that two of the performers are currently studying at Hofstra, Koro Koroye and Priya Gupta. 

 

 

Koro Koroye
Koro Koroye

Nigerian born spoken-word artist Koro Koroye, a Hofstra graduate and current graduate student, imbues the art of storytelling and spoken-word with energy, passion, and strength. Koro has appeared at The Cell Theater, the Living Room and Lehman College in New York City during the past year. Recently, Koro appeared in Charles R. Hale’s production, “Rise Up Singing: Women and the Labor Movement.” Koro both performed and wrote for the show. 

 

 

Priya Gupta
Priya Gupta

Priya Gupta is a dancer and a Dance Education major at Hofstra. She is a student of Professor Darrah Carr, the founder of Darrah Carr Dance, and studied Indian classical dance with Mrugakshi Patel, an accomplished exponent of dance and well known choreographer of Indian folk dances. Priya will be performing a style of Indian classical dance called Bharatnatyam.  

 

We are thrilled to have these two great young talents as part of Artists Without Walls’ Showcase. 

ARTISTS WITHOUT WALLS' MEMBERS on the TOWN: WEEK of 12/15/13

 

Honor Finnegan
Honor Finnegan

Honor Finnegan will be performing on Sunday December 15th, 4:30 at the Tribes Hill’s Twelfth Annual Winter Solstice Celebration Concert, Common Ground Community Concerts. First Unitarian Society of Westchester, 25 Old Jackson Ave, Hastings-on-Hudson, NY

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Honor will also be performing, Sunday December 15th, 9:30 in “Lord, Let the Angels Sing: A Holiday Gift of Song,” at 54 Below – 254 W. 54th St., New York, NY. Her song, “Snow Day,” will be featured in the review and sung by Jennie Litt.  For Tickets visit TicketWeb.com or call (866) 468 – 7619
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Tara O'Grady
Tara O’Grady

Tara O’Grady is performing at the Refinery Hotel twice this week. Sunday, Dec 15 on the rooftop and Tuesday December 17 in the lobby lounge. Both nights 6-9pm. No Cover. Just jazz and holiday tunes. 63 West 38th Street Refinery Hotel.

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Tara will also be performing on Monday, December 16, 6-9pm at Arlene’s Grocery, 95 Stanton St., NYC. Together for Christmas: A Christmas Music Fundraiser for the people of the Philippines in partnership with the Irish Charity CONCERN WORLDWIDE.  Featuring artists from the Christmas CD, including Tara- Together for Christmas A Contemporary Celtic Christmas Collection.  $20 at the door only & cds for sale. 
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Angela Alaimo O'Donnell
Angela Alaimo O’Donnell

Angela Alaimo O’Donnell will be doing a poetry reading on Monday, December 16, 2013, 6PM at the Mark Murray Gallery 39 E. 72nd St., 5th Floor, New York, NY

Angela will also be participating in  A Celebration of New York City in Poetry, Music, and Photographs. “New York City from Skin to Core : Poetic Images of the Big Apple”  Wednesday, December 18, 2013, 7pm, Fordham University, Pope Auditorium, 116 W. 60th St. at Columbus Ave, New York, NY
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Artists Without Walls
Artists Without Walls

Artists Without Walls will be presenting its “Holiday Showcase” on Thursday, December 19th, 7pm, at The Cell Theater, 338 W 23rd St. NYC.

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Annette Homann
Annette Homann

Violinist Annette Homann will be performing with the Bergen Sinfonia Orchestra, Friday, Dec 20, 7:30pm, in selections of J.S. Bach’s Suite No. 3, Emperor Waltzes by Johann Strauss, Jr. and Stille Nacht as recorded by Manheim Steamroller. Hear a symphonic medley of holiday carols from around the world and more! The Ciccione Theatre, 400 Paramus Road, Paramus, NJ. Tickets $25, BCC staff, faculty and seniors $20, BCC students $10. tickets.bergen.edu